![\"The](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2022\/06\/Dying-Swan2.jpg\")
<\/a>\r\n <\/div>\r\n Hana Sakai \u00d7 Toshiki Okada<\/span>
The Dying Swan and Its Cause of Death<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"BLACK](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2022\/06\/BLACK-ROOM2_Naoshi-HATORI.jpg\")
<\/a>\r\n <\/div>\r\n Megumi Nakamura<\/span>
BLACK ROOM<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"MOVING](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2022\/06\/MOVING-SHADOW2_Naoshi-HATORI.jpg\")
<\/a>\r\n <\/div>\r\n Yoko Ando<\/span>
MOVING SHADOW<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEach piece is performed consecutively.<\/p>\r\n\r\n
\r\n \r\n \r\n ![\"The](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2023\/11\/The-Dying-Swan.webp\")
\r\n <\/div>\r\n \r\n Originally by Michael Fokine Adapted by Hana Sakai<\/span>
The Dying Swan<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"Solo](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2023\/11\/Solo-from-BLACKBIRD.webp\"\r\n)
\r\n <\/div>\r\n \r\n Ji\u0159\u00ed Kyli\u00e1n \u00d7 Megumi Nakamura<\/span>
Solo from BLACKBIRD<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"MOVING](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2023\/11\/Duo-from-Study-3.webp\")
\r\n <\/div>\r\n \r\n William Forsythe \u00d7 Yoko Ando<\/span>
Duo from Study # 3<\/a>\r\n <\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\n\r\n\r\nRyu Suzuki Triple Bill<\/h4>\r\n
Based on the underlying theme of “Does my body belong to me?” – a question that became familiar to many of us especially during the COVID-19 pandemic – DaBY’s first ever Associate Choreographer, Ryu Suzuki, presented three new works that were collectively created in collaboration with dramaturgs and set designers.
Premiere: December 2021 Aichi Prefectural Art Theater<\/p>\r\n\r\n
\r\n \r\n \r\n ![\"never](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2022\/06\/never-thought-it-would1_Naoshi-HATORI.jpg\")
<\/a>\r\n <\/div>\r\n never thought it would<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"When](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2022\/06\/When-will-we-learn3_Naoshi-HATORI.jpg\")
<\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"Proxy\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2022\/06\/Proxy_Naoshi-HATORI2.jpg\")
<\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n ![\"ENIGMA\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2022\/06\/ENIGMA_Naoshi-HATORI1.jpg\")
<\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n ![\"rain\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2023\/10\/2023-11-14_rain.webp\")
<\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n ![\"ainote\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2023\/10\/2023-11-14_ainote.webp\")
<\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"cant-sleeper\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2023\/10\/2023-11-14_cant-sleeper.webp\")
<\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"night-shades\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2023\/10\/2023-11-14_night-shades.webp\")
<\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n ![\"ainote\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2025\/05\/aidanoma_giselle.webp\")
<\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n ![\"cant-sleeper\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2025\/05\/aidanoma_danceforpleasure.webp\")
<\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
<\/a>\r\n <\/div>\r\n Megumi Nakamura<\/span>
BLACK ROOM<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yoko Ando<\/span>
MOVING SHADOW<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEach piece is performed consecutively.<\/p>\r\n\r\n
\r\n \r\n \r\n \r\n <\/div>\r\n \r\n Originally by Michael Fokine Adapted by Hana Sakai<\/span>
The Dying Swan<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n \r\n <\/div>\r\n \r\n Ji\u0159\u00ed Kyli\u00e1n \u00d7 Megumi Nakamura<\/span>
Solo from BLACKBIRD<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n \r\n <\/div>\r\n \r\n William Forsythe \u00d7 Yoko Ando<\/span>
Duo from Study # 3<\/a>\r\n <\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\n\r\n\r\nRyu Suzuki Triple Bill<\/h4>\r\n
Based on the underlying theme of “Does my body belong to me?” – a question that became familiar to many of us especially during the COVID-19 pandemic – DaBY’s first ever Associate Choreographer, Ryu Suzuki, presented three new works that were collectively created in collaboration with dramaturgs and set designers.
Premiere: December 2021 Aichi Prefectural Art Theater<\/p>\r\n\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n never thought it would<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
<\/a>\r\n <\/div>\r\n Yoko Ando<\/span>
MOVING SHADOW<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEach piece is performed consecutively.<\/p>\r\n\r\n
\r\n \r\n \r\n \r\n <\/div>\r\n \r\n Originally by Michael Fokine Adapted by Hana Sakai<\/span>
The Dying Swan<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n \r\n <\/div>\r\n \r\n Ji\u0159\u00ed Kyli\u00e1n \u00d7 Megumi Nakamura<\/span>
Solo from BLACKBIRD<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n \r\n <\/div>\r\n \r\n William Forsythe \u00d7 Yoko Ando<\/span>
Duo from Study # 3<\/a>\r\n <\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\n\r\n\r\nRyu Suzuki Triple Bill<\/h4>\r\n
Based on the underlying theme of “Does my body belong to me?” – a question that became familiar to many of us especially during the COVID-19 pandemic – DaBY’s first ever Associate Choreographer, Ryu Suzuki, presented three new works that were collectively created in collaboration with dramaturgs and set designers.
Premiere: December 2021 Aichi Prefectural Art Theater<\/p>\r\n\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n never thought it would<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
\r\n <\/div>\r\n \r\n Originally by Michael Fokine Adapted by Hana Sakai<\/span>
The Dying Swan<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n \r\n <\/div>\r\n \r\n Ji\u0159\u00ed Kyli\u00e1n \u00d7 Megumi Nakamura<\/span>
Solo from BLACKBIRD<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n \r\n <\/div>\r\n \r\n William Forsythe \u00d7 Yoko Ando<\/span>
Duo from Study # 3<\/a>\r\n <\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\n\r\n\r\nRyu Suzuki Triple Bill<\/h4>\r\n
Based on the underlying theme of “Does my body belong to me?” – a question that became familiar to many of us especially during the COVID-19 pandemic – DaBY’s first ever Associate Choreographer, Ryu Suzuki, presented three new works that were collectively created in collaboration with dramaturgs and set designers.
Premiere: December 2021 Aichi Prefectural Art Theater<\/p>\r\n\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n never thought it would<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
\r\n <\/div>\r\n \r\n Ji\u0159\u00ed Kyli\u00e1n \u00d7 Megumi Nakamura<\/span>
Solo from BLACKBIRD<\/a>\r\n <\/h4>\r\n <\/div>\r\n \r\n \r\n \r\n <\/div>\r\n \r\n William Forsythe \u00d7 Yoko Ando<\/span>
Duo from Study # 3<\/a>\r\n <\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\n\r\n\r\nRyu Suzuki Triple Bill<\/h4>\r\n
Based on the underlying theme of “Does my body belong to me?” – a question that became familiar to many of us especially during the COVID-19 pandemic – DaBY’s first ever Associate Choreographer, Ryu Suzuki, presented three new works that were collectively created in collaboration with dramaturgs and set designers.
Premiere: December 2021 Aichi Prefectural Art Theater<\/p>\r\n\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n never thought it would<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
\r\n <\/div>\r\n \r\n William Forsythe \u00d7 Yoko Ando<\/span>
Duo from Study # 3<\/a>\r\n <\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\n\r\n\r\nRyu Suzuki Triple Bill<\/h4>\r\n
Based on the underlying theme of “Does my body belong to me?” – a question that became familiar to many of us especially during the COVID-19 pandemic – DaBY’s first ever Associate Choreographer, Ryu Suzuki, presented three new works that were collectively created in collaboration with dramaturgs and set designers.
Premiere: December 2021 Aichi Prefectural Art Theater<\/p>\r\n\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n never thought it would<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
Premiere: December 2021 Aichi Prefectural Art Theater<\/p>\r\n\r\n
<\/a>\r\n <\/div>\r\n never thought it would<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
<\/a>\r\n <\/div>\r\n When will we ever learn?<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
<\/a>\r\n <\/div>\r\n Proxy<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nRoma Hashimoto \u00d7 Yae Yamamichi<\/h4>\r\n
DaBY Resident Artist Roma Hashimoto and traditional Japanese musician Yae Yamamichi collaborated for the first time to present a new work.
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
Premiere: December 2021 DaBY Performing Arts Selection 2021<\/p>\r\n
<\/a>\r\n <\/div>\r\n ENIGMA<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nAichi Prefectural Art Theater \u00d7Dance Base Yokohama\u3000Ryu Suzuki \u00d7 Shinji Ohmaki \u00d7 evala \u201cRain\u201d<\/h4>\r\n
This dance piece is based on the novel “Rain” by William Somerset Maugham. The piece created a new theatrical experience through the integration of the scenography based on Shinji Ohmaki\u2019s “Liminal Air – Black Weight” (2012), the music by evala’s unique “spatial composition” using stereophonic sound, the direction by Ryu Suzuki, and the dance by DaBY Resident Dancers.
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
\r\n
\r\nIn domestic performances, the main role was performed by Yui Yonezawa, a principal dancer of the National Ballet of Japan. For the Hong Kong performance, local dancers were selected through an audition to perform in the piece. It is possible to employ dancers from the region the performances take place.
\r\nPremiere: March 2023 Aichi Prefectural Art Theater<\/p>\r\n
<\/a>\r\n <\/div>\r\n Rain<\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nEcriture before awakening<\/h4>\r\n
A series of new works in 2023 that captures the atmosphere of the time and questions society using the body as a medium.
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
Premiere: September 2023 Aichi Prefectural Art Theater<\/p>\r\n
<\/a>\r\n <\/div>\r\n Yasutake Shimaji \u00d7 Tamaki ROY<\/span>
AINOTE<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
<\/a>\r\n <\/div>\r\n Mariko Kakizaki<\/span>
Can\u2019t-Sleeper<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
<\/a>\r\n <\/div>\r\n Ji\u0159\u00ed Pokorn\u00fd<\/span>
Night Shades <\/a><\/h4>\r\n <\/div>\r\n<\/div>\r\n\r\nTime in Between<\/h4>\r\n
Through an examination of \u201ctime in between\u201d accumulated throughout dance history, this work attempted to reach a contemporary piece by reinterpreting the past, presenting a new form of physical expression.
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
Premiere: November 2024 Aichi Prefectural Art Theater<\/p>\r\n
<\/a>\r\n <\/div>\r\n Toshiki Okada \u00d7 Hana Sakai<\/span>
Giselle: A Summary<\/a><\/h4>\r\n <\/div>\r\n \r\n \r\n <\/a>\r\n <\/div>\r\n Yasutake Shimaji<\/span>
Dance for Pleasure<\/a><\/h4>\r\n <\/div>\r\n
<\/a>\r\n <\/div>\r\n ![\"night-shades\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2025\/05\/aidanoma_postghost.webp\")
<\/a>\r\n <\/div>\r\n ![\"night-shades\"](\"https:\/\/dancebase.yokohama\/wp\/wp-content\/uploads\/2025\/05\/aidanoma_tama.webp\")
<\/a>\r\n <\/div>\r\n