{"id":289,"date":"2019-01-24T12:40:29","date_gmt":"2019-01-24T03:40:29","guid":{"rendered":"https:\/\/dancebase.yokohama\/taci\/?page_id=289"},"modified":"2019-12-20T13:19:15","modified_gmt":"2019-12-20T04:19:15","slug":"videoinstallation","status":"publish","type":"page","link":"https:\/\/dancebase.yokohama\/taci\/onview\/videoinstallation\/","title":{"rendered":"Video Installation"},"content":{"rendered":"
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OUTLINE<\/h3>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t

Australian choreographer and filmmaker Sue Healey

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Japanese film cinematographer Kei Fushiki

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5 prominent Japanese dance artists
( Naoko Shirakawa, Kenta Kojiri, Ema Yuasa, Nobuyoshi Asai, Saori Hala )<\/h6>\r\n\t
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2019\u5e742\u670814\u65e5\uff08\u6728\uff09\u301c2\u670817\u65e5\uff08\u65e5\uff09\uff08\u7d42\u4e86\u3057\u307e\u3057\u305f\uff09

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2.14\u3000Thu – 2.17\u3000Sun

2.14-15\u300013:00-20:00

2.16\u300014:00-20:00

2.17\u300011:00-17:00

Yokohama Red Brick Warehouse No1. 2nd Floor Space C

Free Admission<\/h6>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t
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CONCEPT<\/h3>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t
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2019\u5e749\u6708\u3001\u632f\u4ed8\u5bb6\u30fb\u6620\u50cf\u4f5c\u5bb6\u306e\u30b9\u30fc\u30fb\u30d2\u30fc\u30ea\u30fc\u3068\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u305f\u3061\u3068\u540d\u53e4\u5c4b\u5b66\u82b8\u5927\u5b66\u306e\u6620\u50cf\u30e1\u30c7\u30a3\u30a2\u5b66\u79d1\u306e\u4f0f\u6728\u5553\u7387\u3044\u308b\u7279\u5225\u30c1\u30fc\u30e0\u3092\u7d50\u6210\u3057\u3001\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\u5c0f\u30db\u30fc\u30eb\u3068\u540d\u53e4\u5c4b\u5e02\u306e5\u7b87\u6240\u306e\u30ed\u30b1\u30fc\u30b7\u30e7\u30f3\u5730\u306b\u3066\u3001\u300cON VIEW\u300d\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306e\u305f\u3081\u306e\u6620\u50cf\u64ae\u5f71\u3092\u884c\u3044\u307e\u3057\u305f\u3002
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\r\n5\u540d\u306e\u30c0\u30f3\u30b5\u30fc\u306b\u8ab2\u305b\u3089\u308c\u305f\u30bf\u30b9\u30af\u306f\u3001\u30ed\u30b1\u30fc\u30b7\u30e7\u30f3\u64ae\u5f71\u3001\u52d5\u7269\u3068\u306e\u30b3\u30e9\u30dc\u30ec\u30fc\u30b7\u30e7\u30f3\u3001\u8996\u7dda\u3001\u4e09\u9762\u93e1\u3001\u9280\u306e\u5e03\u3001\u30dc\u30c7\u30a3\u30d1\u30fc\u30c4\u3001\u30b7\u30eb\u30a8\u30c3\u30c8\u306a\u3069\u3002\u30ab\u30e1\u30e9\u3092\u610f\u8b58\u3057\u306a\u304c\u3089\u4e88\u3081\u632f\u4ed8\u3051\u3089\u308c\u305f\u3001\u3042\u308b\u3044\u306f\u305d\u306e\u5834\u3067\u306e\u5373\u8208\u3082\u53d6\u308a\u5165\u308c\u306a\u304c\u3089\u64ae\u5f71\u3055\u308c\u307e\u3057\u305f\u3002
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\r\n\u3053\u306e\u300cON VIEW\uff1aJapan\u300d\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\u306f\u3001\u3053\u308c\u3089\u306e5\u540d\u306e\u30c0\u30f3\u30b5\u30fc\u305f\u3061\u3068\u6620\u50cf\u3068\u306e\u30b3\u30e9\u30dc\u30ec\u30fc\u30b7\u30e7\u30f3\u4f5c\u54c1\u3067\u3059\u3002\u300cON VIEW\uff1aJapan\u300d\u306e\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\u4f5c\u54c1\u3068\u3057\u3066\u6a2a\u6d5c\u30c0\u30f3\u30b9\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u3001TPAM\u306e\u671f\u9593\u306e\u307f\u9650\u5b9a\u516c\u958b\u3057\u307e\u3059\u3002<\/p>\r\n\t\t\t
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“On View”
On View seamlessly combines dance and film to interrogate ideas about portraiture, identity and the moving body. The works evoke the reverential spaces of a portrait gallery, a place where the moving body is analysed and the nature of portraiture is dissected and queried. It celebrates artists with unique skills, exposing diverse philosophies of moving and ways of thinking through the body.
\r\nDirected by Sue Healey : Sydney-based choreographer, educator, filmmaker and installation artist, Sue is one of Australia\u2019s foremost independent dance-makers.
\r\n“ON VIEW : Japan” – produced by Aichi Prefetural Art Theater. To begin filming and rehearsing in September 2018, in Japan with 5 Japanese artists and Australian production team.
This is the first video Installation of Japanese version.<\/p>\r\n\t\t\t

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STAFF<\/h3>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t
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\u30b9\u30fc\u30fb\u30d2\u30fc\u30ea\u30fcSue Healey\u3000Director<\/span><\/h6>\r\n\t\t\t\t\t\t\t\t

\u632f\u4ed8\u5bb6\u3001\u6620\u753b\u76e3\u7763\u3002\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u30fb\u30b7\u30c9\u30cb\u30fc\u3092\u62e0\u70b9\u306b\u6d3b\u52d5\u3002\u69d8\u3005\u306a\u5f62\u614b\u3001\u77e5\u899a\u3001\u7a7a\u9593\u3001\u30b3\u30f3\u30c6\u30ad\u30b9\u306b\u5411\u304d\u5408\u3044\u30c0\u30f3\u30b9\u3092\u5275\u4f5c\u3057\u3001\u30a2\u30b8\u30a2\u3001\u7c73\u56fd\u3001\u82f1\u56fd\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u3001\u30cb\u30e5\u30fc\u30b8\u30fc\u30e9\u30f3\u30c9\u3067\u767a\u8868\u3057\u3066\u3044\u308b\u3002\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u30fb\u30ab\u30a6\u30f3\u30b7\u30eb\u30fb\u30d5\u30a9\u30fc\u30fb\u30a2\u30fc\u30c4\u3088\u308a\u30af\u30ea\u30a8\u30a4\u30c6\u30a3\u30d6\u30fb\u30d5\u30a7\u30ed\u30fc\u30b7\u30c3\u30d7\uff082014\uff09\u3001\u30e1\u30eb\u30dc\u30eb\u30f3\u5927\u5b66\u3088\u308a\u30d3\u30af\u30c8\u30ea\u30a2\u30f3\u30fb\u30ab\u30ec\u30c3\u30b8\u30fb\u30aa\u30d6\u30fb\u30a2\u30fc\u30c8\u30fb\u540d\u8a89\u30d5\u30a7\u30ed\u30fc\u30b7\u30c3\u30d7\uff082015\uff09\u3092 \u53d7\u8cde\u3002\u6620\u50cf\u4f5c\u54c1\u3067\u3082\u5e83\u304f\u8a55\u4fa1\u3055\u308c\u3066\u304a\u308a\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u30fb\u30c0\u30f3\u30b9\u30fb\u30a2\u30ef\u30fc\u30c9\u306e\u30d5\u30a3\u30eb\u30e0\/\u30cb\u30e5\u30fc\u30e1\u30c7\u30a3\u30a2\/\u30a4\u30f3\u30c7\u30a3\u30da\u30f3\u30c7\u30f3\u30c8\u30c0\u30f3\u30b9\u90e8\u9580\u3001\u30ea\u30fc\u30eb\u30c0\u30f3\u30b9(\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2)\u3001\u9999\u6e2f\u30c0\u30f3\u30b9\u30a2\u30ef\u30fc\u30c9\u306e\u30d9\u30b9\u30c8\u30fb\u30d3\u30b8\u30e5\u30a2\u30eb\u30fb\u30c7\u30b6\u30a4\u30f3\u90e8\u9580\u306a\u3069\u3092\u53d7\u8cde\u3002\u307e\u305f\u3001\u6570\u591a\u304f\u306e\u4e3b\u8981\u306a\u56fd\u969b\u6620\u753b\u796d\u3067\u81ea\u8eab\u306e\u4f5c\u54c1\u304c\u4e0a\u6620\u3055\u308c\u3066\u3044\u308b\u3002<\/p>\r\n\t\t\t\t\t\t\t\t

SUE HEALEY \u2013 BIO 2018<\/h6>\r\n\t\t\t\t\t\t\t\t

www.suehealey.com<\/a>
Sue Healey is a choreographer, filmmaker and installation artist, and one of Australia\u2019s foremost independent dance-makers. Experimenting with form and perception, Healey creates dance for diverse spaces and contexts: theatres, galleries and the camera. Her work has toured to Asia, USA, UK and throughout Australia and New Zealand. Healey received a Creative Fellowship in 2014 from the Australia Council for Arts, and was made an Honorary Fellow of the Victorian College of the Arts, University of Melbourne 2015. Her films are widely acclaimed and have screened in many major international festivals and have won awards including; Australian Dance Awards for Outstanding Achievement in Dance on Film\/New Media and Independent Dance, winner Reeldance Australia and recently a Hong Kong Dance Award – Best Visual Design 2018. <\/p>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t

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\u30b8\u30e3\u30c3\u30c9\u30fb\u30aa\u30f4\u30a7\u30eb\u30c8\u30f3Judd Overton\u3000Director of Photography<\/span><\/h6>\r\n\t\t\t\t\t\t\t\t

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Judd Overton<\/h6>\r\n\t\t\t\t\t\t\t\t

Judd Overton is an internationally awarded Director of Photography based in Los Angeles. A graduate of Australia\u2019s National Film School AFTRS, Judd has over 20 years experience in the film and television industry and his cinematography has been awarded and nominated internationally including; The Academy Awards, Berlinale, Camerimage and Australian Academy (AACTA) and Australian Cinematographers Society (ACS).
His AACTA Winning project THAT SUGAR FILM is Australia\u2019s highest grossing documentary of all time and is distributed by Samuel Goldwyn and STORIES OF AUSTRALIAN CINEMA is Nominated for the 2018 International Emmy\u2019s.
In addition, Overton has photographed hundreds of television commercials for companies and directors around the world. Clients include; Audi, Toyota, Hyundai, Converse, McDonalds, Motorola, Master Card, Vodaphone, Jacobs Creek, G Star.<\/p>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t

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\u4f0f\u6728\u5553Kei Fushiki\u3000Cinematographer<\/span><\/h6>\r\n\t\t\t\t\t\t\t\t

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2001\u5e74\u3001\u6b66\u8535\u91ce\u7f8e\u8853\u5927\u5b66\u5927\u5b66\u9662\u9020\u5f62\u7814\u7a76\u79d1\u4fee\u58eb\u8ab2\u7a0b\u4fee\u4e86\u30022006\u5e74\u301c08\u5e74\u307e\u3067\u3001DAAD (\u30c9\u30a4\u30c4\u5b66\u8853\u4ea4\u6d41\u4f1a) \u5968\u5b66\u91d1\u3092\u53d7\u8cde\u3057\u30c9\u30a4\u30c4\u306b\u6ede\u5728\u3001Bauhaus University Weimar\uff08\u30d0\u30a6\u30cf\u30a6\u30b9\u5927\u5b66\u30ef\u30a4\u30de\u30fc\u30eb\uff09MFA\u8ab2\u7a0b\u3092\u4fee\u4e86\u3059\u308b\u3002\u6620\u50cf\u8868\u73fe\u3092\u8ef8\u306b\u3001\u6642\u9593\u610f\u8b58\u306b\u304a\u3051\u308b\u7dda\u5f62\u6027\u3068\u975e\u7dda\u5f62\u6027\u306e\u91cd\u306a\u308a\u3092\u4e3b\u984c\u3068\u3057\u3066\u3001\u7279\u5b9a\u306e\u5834\u6240\u306e\u6b74\u53f2\u7684\u3001\u7a7a\u9593\u7684\u7279\u5fb4\u306b\u30a2\u30d7\u30ed\u30fc\u30c1\u3057\u305f\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\u3084\u3001\u69d8\u3005\u306a\u30e1\u30c7\u30a3\u30a2\u3092\u6271\u3063\u305f\u30d1\u30d5\u30a9\u30fc\u30de\u30f3\u30b9\u4f5c\u54c1\u3092\u5236\u4f5c\u3057\u3066\u3044\u308b\u3002\u8fd1\u5e74\u306f\u3001\u904b\u6cb3\u306e\u6c34\u4e0a\u306b\u8907\u6570\u306e\u30b9\u30af\u30ea\u30fc\u30f3\u3092\u6d6e\u304b\u3079\u305f\u6620\u50cf\u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3 \u201dwaltz\u201d\uff08\u540d\u53e4\u5c4b\u5e02, \u4e2d\u5ddd\u904b\u6cb3 \/ 2013, 14, 15, 18\uff09\u3092\u767a\u8868\u3057\u3066\u3044\u308b\u3002\u73fe\u5728\u3001\u540d\u53e4\u5c4b\u5b66\u82b8\u5927\u5b66 \u30e1\u30c7\u30a3\u30a2\u9020\u5f62\u5b66\u90e8 \u6620\u50cf\u30e1\u30c7\u30a3\u30a2\u5b66\u79d1 \u51c6\u6559\u6388\u3002<\/p>\r\n\t\t\t\t\t\t\t\t

Kei Fushiki<\/h6>\r\n\t\t\t\t\t\t\t\t

Artist \/ Director of Intermedia Performance.
2001, Completion of MA degree at Musashino Art University. 2006-08, Awarded a DAAD scholarship and stayed in Germany, completion of MFA degree at the Bauhaus University Weimar. Creating visual images on the subject of a boundary between linearity and non-linearity on time consciousness. Also approaching media installation \/ performance works from the aspect of spatial uniqueness such as the historical background of the place. Some past works were realized in collaboration with other artists, such as installation artists, architects, composers and dancers. Recent years, he made media installation \u201cwaltz\u201d (2013, 14, 15, 18), in which multiple screens with projected images are floated on Canal. Present, Associate Professor at Nagoya University of Arts and Sciences.\r\n<\/p>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t

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\u5510\u6d25\u7d75\u7406Eri Karatsu\u3000Producer<\/span><\/h6>\r\n\t\t\t\t\t\t\t\t

\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\u30b7\u30cb\u30a2\u30d7\u30ed\u30c7\u30e5\u30fc\u30b5\u30fc\u3002\u304a\u8336\u306e\u6c34\u5973\u5b50\u5927\u5b66\u6587\u6559\u80b2\u5b66\u90e8\u821e\u8e0a\u6559\u80b2\u5b66\u79d1\u5352\u696d\u3001\u540c\u5927\u5b66\u9662\u4eba\u6587\u79d1\u5b66\u7814\u7a76\u79d1\u4fee\u4e86\u3002\u821e\u53f0\u6d3b\u52d5\u3092\u7d4c\u3066\u3001\u65e5\u672c\u521d\u306e\u821e\u8e0a\u5b66\u82b8\u54e1\u3068\u3057\u3066\u611b\u77e5\u82b8\u8853\u6587\u5316\u30bb\u30f3\u30bf\u30fc\u306b\u52e4\u52d9\u30022014\u5e74\u3088\u308a\u73fe\u8077\u3002\u5927\u898f\u6a21\u3067\u8907\u5408\u7684\u306a\u30c0\u30f3\u30b9\uff06\u30d0\u30ec\u30a8\u516c\u6f14\u304b\u3089\u3001\u5c0f\u898f\u6a21\u306e\u5b9f\u9a13\u7684\u306a\u30b3\u30f3\u30c6\u30f3\u30dd\u30e9\u30ea\u30fc\u4f5c\u54c1\u3001\u5c4b\u5916\u3067\u306e\u30b9\u30da\u30af\u30bf\u30af\u30eb\u3084\u6559\u80b2\u666e\u53ca\u4e8b\u696d\u307e\u3067\u3053\u308c\u307e\u3067\u4f01\u753b\u3057\u305f\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306f100\u3092\u8d85\u3048\u308b\u30022010\u5e74\uff5e16\u5e74\u3042\u3044\u3061\u30c8\u30ea\u30a8\u30f3\u30ca\u30fc\u30ec\u306e\u30d1\u30d5\u30a9\u30fc\u30df\u30f3\u30b0\u30a2\u30fc\u30c4\u90e8\u9580\u30ad\u30e5\u30ec\u30fc\u30bf\u30fc\u3002\u6587\u5316\u5e81\u6587\u5316\u5be9\u8b70\u4f1a\u6587\u5316\u653f\u7b56\u90e8\u4f1a\u59d4\u54e1\u3001\u7b2c65\u56de\u821e\u8e0a\u5b66\u4f1a\u5927\u4f1a\u5b9f\u884c\u59d4\u54e1\u9577\u3001\u30a2\u30b5\u30d2\u30b0\u30eb\u30fc\u30d7\u82b8\u8853\u6587\u5316\u8ca1\u56e3\u9078\u8003\u59d4\u54e1\u3001\u5168\u56fd\u821e\u8e0a\u30b3\u30f3\u30af\u30fc\u30eb\u7b49\u306e\u5be9\u67fb\u59d4\u54e1\u3001\u5927\u5b66\u306e\u975e\u5e38\u52e4\u8b1b\u5e2b\uff08\u6587\u5316\u653f\u7b56\u3001\u30a2\u30fc\u30c8\u30de\u30cd\u30b8\u30e1\u30f3\u30c8\u3001\u821e\u8e0a\u8ad6\uff09\u7b49\u3001\u65e5\u672c\u306e\u821e\u53f0\u82b8\u8853\u3084\u5287\u5834\u306e\u74b0\u5883\u6574\u5099\u306e\u305f\u3081\u306e\u591a\u69d8\u306a\u6d3b\u52d5\u3092\u884c\u3046\u3002\u8457\u66f8\u306b\u300e\u8eab\u4f53\u306e\u77e5\u6027\u300f\u7b49\u3002<\/p>\r\n\t\t\t\t\t\t\t\t

Eri Karatsu<\/h6>\r\n\t\t\t\t\t\t\t\t

She has studied at Faculty of Literature of Dance Studies of Ochanomizu University and received Master of Arts from graduate school.
Since 1992 she has worked at Aichi Arts Center as curator in dance and manages their programs. She became senior producer at Aichi Prefectural Arts Theater and especially focuses on the contemporary working in diversified fields, and produced a new works and plans a lot of dance performances and workshops, and collaboration with art, music and film.
From 2010 to 2016, she was curator of performing arts in Aichi Triennale, she has worked various programs including international coproduction. She has also served as a judge or committee member for the Cultural Policy Committee of the 6th Council for Cultural Affairs of the Agency for Cultural Affairs (2007\u201309).<\/p>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t

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CREDIT<\/h3>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t<\/div>\r\n

\u30d1\u30d5\u30a9\u30fc\u30de\u30fc:\u767d\u6cb3\u76f4\u5b50\u3001\u5c0f\u378d\u5065\u592a\u3001\u6d45\u4e95\u4fe1\u597d\u3001\u6e6f\u6d45\u6c38\u9ebb\u3001\u30cf\u30e9\u30b5\u30aa\u30ea
\r\nPerformers: Naoko Shirakawa, Kenta Kojiri, Ema Yuasa, Nobuyoshi Asai, Saori Hala
\r\n\u30c6\u30a3\u30ec\u30af\u30b7\u30e7\u30f3\u30fb\u7de8\u96c6:\u30b9\u30fc\u30fb\u30d2\u30fc\u30ea\u30fc
\r\nDirector\/Editor – Sue Healey
\r\n\u64ae\u5f71\u76e3\u7763:\u30b8\u30e3\u30c3\u30c9\u30fb\u30aa\u30f4\u30a1\u30fc\u30c8\u30f3
\r\nDirector of Photography \u2013 Judd Overton
\r\n\u6620\u50cf\u76e3\u7763\uff1a\u4f0f\u6728\u5553
\r\nCinematographer \u2013 Kei Fushiki
\r\n\u4f5c\u66f2:\u30c0\u30ec\u30f3\u30fb\u30f4\u30a7\u30eb\u30cf\u30b2\u30f3
\r\nComposer \u2013 Darrin Verhagen
\t\r\n\u97f3\u697d\uff1a\u30b8\u30e3\u30b9\u30c6\u30a3\u30f3\u30fb\u30a2\u30b7\u30e5\u30ef\u30fc\u30b9
\r\nAdditional Music \u2013 Justin Ashworth
\r\n\u30d5\u30a9\u30fc\u30ea\u30fc\uff1a\u30de\u30b7\u30e5\u30fc\u30fb\u30bf\u30f3\u30ab\u30fc\u30c9
\r\nFoley \u2013 Matthew Tankard
\r\n\u30c9\u30e9\u30de\u30c8\u30a5\u30eb\u30b0:\u30b7\u30e7\u30ca\u30fb\u30a2\u30fc\u30b9\u30ad\u30f3
\r\nDramaturg \u2013 Shona Erskine
\r\n\u30d7\u30ed\u30c7\u30e5\u30fc\u30b5\u30fc\uff1a\u5510\u6d25\u7d75\u7406\uff08\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\uff09
\r\nProducer \u2013 Eri Karatsu (Aichi Prefectural Art Theatre)
\r\n
\r\n\u6620\u50cf\u30af\u30eb\u30fc\uff1a\u3000Film Crew
\r\n\u64ae\u5f71\uff1a\u56fd\u679d\u6df3\u5fd7
\r\nCamera Operator \u2013 Atsushi Kunieda
\r\n\u64ae\u5f71\u52a9\u624b\uff1a\u4e45\u7c73\u8129\u54c9
\r\nAssistant Camera Operator \u2013 Shuya Kume
\r\n\u7167\u660e\u30c7\u30b6\u30a4\u30f3\uff1a\u9152\u4e95\u9686\u82f1
\r\nLighting Designer \u2013 Takahide Sakai
\r\n\u7167\u660e\u52a9\u624b\uff1a\u9ad8\u6a4b\u4f73\u592a\u90ce
\r\nAssistant Lighting Designer \u2013 Keitaro Takahashi
\r\n\u52a9\u76e3\u7763\uff1a\u798f\u4e95\u901a\u751f
\r\n\u8a18\u9332\uff1a\u4f0a\u85e4\u4ec1\u7f8e
\r\nAssistant Cinematographers \u2013 Michio Fukui, Masamo Ito
\r\n\u6280\u8853\u76e3\u7763\uff1a\u4e16\u53e4\u53e3\u5584\u5fb3\uff08\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\uff09
\r\nTechnical Coordinator \u2013 Yoshinori Sekoguchi (Aichi Prefectural Art Theatre)
\r\n\u8863\u88f3\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\uff1a\u83c5\u4e95\u4e00\u8f1d
\r\nStylist \u2013 Kazuki Sugai
\r\n\u901a\u8a33\uff1a\u9ed2\u91ce\u9756\u5b50
\r\nInterpretor \u2013 Yasuko Kurono
\r\n\u30b3\u30fc\u30c7\u30a3\u30cd\u30fc\u30bf\u30fc\uff1a\u897f\u5c71\u8449\u5b50
\r\nCoordinator \u2013 Yoko Nishiyama
\r\n\u5236\u4f5c\u52a9\u624b\uff1a\u52a0\u85e4\u611b\uff08\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\uff09\u3001\u5c0f\u6c60\u967d\u5b50
\r\nAssistant Producer \u2013 Ai Kato (Aichi Prefectural Art Theatre),Yoko Koike
\r\n\u5199\u771f\uff1a\u7fbd\u9ce5\u76f4\u5fd7\uff08\u65e5\u672c\uff09\u3001\u30da\u30c3\u30d1\u30fb\u30b5\u30de\u30e4\uff08\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\uff09
\r\nStills Photography \u2013 Naoshi Hatori (Japan), Pippa Samaya (Australia),
\r\n\u632f\u4ed8\u30a2\u30b7\u30b9\u30bf\u30f3\u30c8\uff1a\u30c6\u30e9\u30fb\u30b5\u30de\u30e4
\r\nChoreographic Assistant \u2013 Tara Samaya
\r\n\u632f\u4ed8\u5354\u529b\uff08\u767d\u6cb3\u76f4\u5b50\uff09\uff1a\u5927\u5cf6\u65e9\u7d00\u5b50\uff08H\u30fb\u30a2\u30fc\u30eb\u30fb\u30ab\u30aa\u30b9\uff09
\r\nChoreographic Contribution for Naoko Shirakawa \u2013 Sakiko Oshima (H Art Chaos)
\r\n\u30ed\u30b1\u30fc\u30b7\u30e7\u30f3\u5354\u529b\uff1a\u6cb3\u6587\u3001\u5411\u91ce\u6a4b\u3001\u540d\u53e4\u5c4b\u5e02\u5e02\u653f\u8cc7\u6599\u9928\u3001\u30ea\u30f3\u30ca\u30a4\u682a\u5f0f\u4f1a\u793e\u3001\u767d\u9ce5\u516c\u5712
\r\nLocation Cooperation \u2013 KAWABUN, Koya Bridge, Nagoya City Archives, Rinnai Corporation,
\r\nShirotori Garden
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\r\n\u8863\u88f3\u5354\u529b\uff1amatohu (Hiroyuki Horahita, Makiko Sekiguchi), Somarta, H\u30fb\u30a2\u30fc\u30eb\u30fb\u30ab\u30aa\u30b9\u3001Kie Yamamoto
\r\nCostume Cooperation \u2013 matohu (Hiroyuki Horahita, Makiko Sekiguchi), Somarta, H Art Chaos, Kie\r\nYamamoto
\r\n
\r\nWith Assistance from:
\r\n
\r\n\u88fd\u4f5c:\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\u3001ON VIEW:Japan\u5b9f\u884c\u59d4\u54e1\u4f1a
\r\nProduced:Aichi Prefectural Art Theatre, ON VIEW: JAPAN Committee
\r\n\u5354\u529b:\u540d\u53e4\u5c4b\u5b66\u82b8\u5927\u5b66\u6620\u50cf\u30e1\u30c7\u30a3\u30a2\u5b66\u79d1
Cooperation: Nagoya University of Arts and Sciences
\r\n
\r\n\u5354\u8cdb:2020\u6587\u5316\u82b8\u8853\u30a4\u30cb\u30b7\u30a2\u30c6\u30a3\u30f4
\r\n\u52a9\u6210\uff1a\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u30fb\u30ab\u30a6\u30f3\u30b7\u30eb\u3001\u30af\u30ea\u30a8\u30a4\u30c8NSW
\r\nSupported by:The Arts and Culture Initiative 2020
\r\nAustralia Council for the Arts, Create NSW
\r\nThe Australia Council is the Australian Government’s arts funding and advisory body.<\/p>\r\n\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div>","protected":false},"excerpt":{"rendered":"

OUTLINE Australian choreographer and filmmaker Sue Healey\u00d7Japanese film cinematographer Kei Fushiki\u00d75 prominen […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":285,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-289","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/pages\/289"}],"collection":[{"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/comments?post=289"}],"version-history":[{"count":3,"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/pages\/289\/revisions"}],"predecessor-version":[{"id":819,"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/pages\/289\/revisions\/819"}],"up":[{"embeddable":true,"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/pages\/285"}],"wp:attachment":[{"href":"https:\/\/dancebase.yokohama\/taci\/wp-json\/wp\/v2\/media?parent=289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}