Schedule] Saturday, May 29, 15:00-16:30
Venue] Dance Base Yokohama

Guest: Yoko Ando, Nozomi Kinouchi, Yasuyuki Yamaguchi
Navigator: Eri Karatsu (DaBY Artistic Director / Executive Producer, Aichi Arts Theatre)

As part of the TRIAD DANCE PROJECT “Dance Genealogy Studies” program, a tryout performance by Yoko Ando is scheduled for September 2021. This time, Ms. Ando, a choreographer who is working on a new creation at DaBY for the tryout, and three young dancers, Nozomi Kinouchi and Yasuyu Yamaguchi, who were selected through auditions, will be invited as guests for a talk and demonstration about the rehearsal process that continues at the Corona Hazama. The event will be held in conjunction with the presentation of the new work. They will also talk about “Study #3” choreographed by William Forsythe, which will be performed in conjunction with the presentation of the new work.

What is TRIAD INTERMISSION?

TRIAD DANCE PROJECT “Genealogy of Dance” was one of the programs of “TRIAD DANCE DAYS” scheduled to be held in conjunction with the opening of the dance house Dance Base Yokohama (DaBY) in May 2020. The event was to explore academic dance choreography in two parts: “Origin,” in which each dancer dances an original work by a master choreographer, and “Inheritance/Reconstruction,” in which each dancer attempts to create a new piece. However, due to the spread of the new coronavirus, all programs were cancelled, and further creation is underway, seeking creative methods that are possible even with the coronavirus disaster.
The purpose of this exhibition is to provide an opportunity for visitors to learn about the background of the creative process and the artists’ new approaches to the Corona Disaster by actively disclosing the creative process as an “INTERMISSION.

◆Schedule

Saturday, May 29, 2021, 15:00-16:30

◆Rates

2000 yen (tax included)

◆Access

Dance Base Yokohama (https://dancebase.yokohama/main2/access)
KITANAKA BRICK&WHITE BRICK North 3F
5-57-2, Kitanaka-dori, Naka-ku, Yokohama, Kanagawa Directly connected to “Yokohama Kitanaka Knot”, Exit 2a, Bashamichi Station, Minatomirai Line

◆Application Method

Please register through Peatix at https://daby-intermission4.peatix.com/.
*Pre-registration as a DaBY member is required to apply for tickets. Please apply from here.
*Applications will open on Saturday, April 24 at 10:00 a.m.

◆Artist Profile

Yoko Ando

©Dominik Mentzos

Born in Yokohama, studied under Kuniko Kisanuki. In 2001, she became the first Asian to join the Ballett Frankfurt. After the dissolution of Ballett Frankfurt in 2004, she continued to be a member of The Forsythe Company for 15 years until the company’s dissolution in 2003, dancing on stages all over the world as a core dancer and appearing in 40 of Forsythe’s works.
Since 2001, outside of the company’s activities, he has been actively involved in presenting dance works written/directed/performed by himself, collaborating with musicians and contemporary artists in Japan and abroad, and creating and teaching dance using media technology. Currently based in Yokohama and New York.

Nono Kinouchi

Started classical ballet at the age of 3 at Mayumi Kinouchi Ballet Studio
Studied at Washington Ballet School and Berlin State Ballet School since 2015
2019 Performed on stage Memory of Zero , POLA APEX brand movie, Sleeping Beauty
1st Prize, 19th All Japan Ballet Union Competition, Contemporary Solo
Nakano International Dance Competition 1st Prize, etc.

Yasuyuki Yamaguchi

She started dancing at the age of 5 and studied HIPHOP and breaking at studio SRN GOLDRUSH.
Later, he joined the dance club of Nishimatsugakusa University High School and studied POP, and is currently enrolled in the dance course at Senzoku Gakuen College of Music. He is currently enrolled in the dance course at Senzoku Gakuen College of Music. He is training younger students as a coach in the dance club at Nishimatsugakusa University Senior High School.

navigator
Karatsu Eri
(DaBY Artistic Director / Executive Producer, Aichi Arts Theatre)

©Takayuki Abe

Graduated from the Department of Dance Education, Faculty of Letters and Education, Ochanomizu University, and completed the Graduate School of Humanities and Sciences of the same university. After working on stage, she worked at Aichi Arts Center as Japan’s first dance curator since 1993, won the 1st Asahi Arts Award in 2000 at her organization, Aichi Culture and Information Center, and has been in her current position since 2002. He has produced and invited more than 200 works and projects ranging from large-scale international co-productions to experimental performances. He has served as a member of the Cultural Policy Subcommittee of the Cultural Affairs Council of the Agency for Cultural Affairs, coordinator of the National Association of Public Cultural Facilities, jury member of corporate arts and culture foundations, board member and other various committees, jury member of dance competitions, chairman of the executive committee of the 65th Annual Conference of the Japan Society of Dance Performance, and part-time university lecturer. He has been involved in various activities to improve the environment of performing arts and theaters in Japan, including lectures, writing, and advising. His publications include “Bodily Intelligence.