Aichi Arts Center x Dance Base Yokohama [DaBY Dance Project]
Ryu Suzuki x Shinji Ohmaki x evala “Rain
Dates] March 11 (Sat.) and 12 (Sun.), 2023 14:00~
[Venue] Aichi Arts Theater, Small Hall (https://www-stage.aac.pref.aichi.jp/access.html)
[Application] January 13, 2023 10:00~ ( https://rain-) aichi.peatix.com/)
As a dance project by Dance Base Yokohama, they will create a new work “Rain” inspired by the short story “Rain” by Somerset Maugham.
DaBY Dance Project is a dance series held in collaboration with Aichi Arts Theatre, a leader in the Japanese dance world, and Dance Base Yokohama, a dance house that trains globally active dance artists.
starringindicates such things as location of person or thing, location of short-term action, etc.New National Theater, TokyoballetgroupPrincipal’s.Yui Yonezawaindicates object of desire, like, hate, etc.welcome(after a noun) used when calling out to someone, ,Art by Shinji Ohmakiandmusic evalaand others, ,Genre.more thangroup of one group comprising the lowest rank of Japan’s Edo-period caste systemspiritedwith the artists of DaBY(at sentence-end, falling tone) indicates a confident conclusionyoung personDancers participateThis is the first full evening production.
Please stay tuned.
◆venue
Aichi Arts Theatre, Small Hall (https://www-stage.aac.pref.aichi.jp/access.html)
1-13-2 Higashisakura, Higashi-ku, Nagoya 461-8525, Japan
3-minute walk from Sakae Station on the Higashiyama or Meijo Subway Line
2-minute walk from Sakae-machi Station on the Nagoya Railway Seto Line
( From Oasis 21 via underground passageway or 2F connecting bridge)
◆ticket
All seats unreserved (tax included)
General: ¥5,000
U25: ¥3,000
*U25 is available only at Aichi Arts Center Playguide and Aichi Arts Center Playguide
*U25 is for those under 25 years old on the performance date (ID required)
*If you plan to come in a wheelchair, please contact the theater office (TEL 052-211-) 7552/contact@aaf.or.jp) if you plan to come to the theater in a wheelchair.
Children under 3 years old are not allowed to enter. Babysitting service is available (March 12 (Sun.) only / fee required / reservation required / for preschool children over 1 year old)
*You may be asked to wait for admission after the show starts.
*Content and performers are subject to change due to unavoidable circumstances.
◆offer
On sale from 10:00 a.m. on Friday, January 13, 2023
■DaBY Peatix (https://rain-aichi.peatix.com/)
*Prior registration as a DaBY member is required to apply for tickets.
If you choose to pay at a convenience store, please complete the transfer by 24:00 on the day before the event.
Please note that once tickets have been purchased, they cannot be cancelled, refunded or changed by the customer.
*In the event of a cancellation, the quantity will be reflected at any time.
■Aichi Arts Theatre Online Ticket Service (https://www-stage.aac.pref.aichi.jp/event/)
■Aichi Arts Center Play Guide (B2F)
TEL052-972-0430
10:00-19:00 Weekends and holidays closed 10:00-18:00 (Closed on Mondays/ If Monday is a national holiday, closed on the following weekday)
*A handling fee may be charged in addition to the ticket price depending on the purchase method.
◆Childcare Service
March 12 (Sun.) only [Paid, reservation required]
[Eligibility] Preschool children over 1 year old
[Fee] 1,000 yen per child (tax included)
[Application deadline] March 4, 2023 (Sat.)
[Application] Office Palette KK
TEL: 0120-353-528 (052-562-5005 from cell phone)
Hours: Weekdays 9:00-17:00, Saturdays 9:00-12:00 (closed Sundays and holidays)
◆Artist Profile
Direction and Choreography
Dance Base Yokohama Associate Choreographer. In DaBY, he will work on the DaBY Collective Dance Project in 2020. In 2021, he created “When will we ever learn?”, “never thought it would”, and “Proxy”, which premiered at Aichi Arts Theatre and will be performed again at KAAT Kanagawa Arts Theatre. […].
art
Born in Gifu Prefecture. He is developing his creative activities based on the theme of what “existence” is. He explores the relationship between the external world of the environment and others, the internal world of memory and consciousness, and the body as the boundary between the two, and attempts to create a physical time-space to approach the ambiguous and elusive “existence” that fluctuates between the three. […].
music
Musician and sound artist. He is the leader of “See by Your Ears,” a project to create a new auditory experience. He has presented cutting-edge works both in Japan and abroad, using stereophonic sound systems and his own unique “spatial composition”. His recent work, the world premiere of the invisible cinema “Sea, See, She – To the Unseen” won the Excellence Award in the Art Division of the 24th Japan Media Arts Festival. […].
performance
Born in Aichi Prefecture, she joined the New National Ballet Theatre in 2010 as a soloist.
She made her debut as a principal in 2011 in Bintrey’s “The Prince of Pagoda” and was promoted to principal in 2013, winning the Gold Prize in the Junior Division at the 2004 Varna International Ballet Competition and the Bronze Prize in the Senior Division at the 2006 Jackson International Ballet Competition, among others. […].
performance
Resident dancer at DaBY, she has studied classical ballet at the Mayumi Kinouchi Ballet Studio since the age of three. She has won many first prizes at ballet competitions in Japan and performed in “Moving Shadow” directed and choreographed by Yoko Ando at Dance Base Yokohama. […].
performance
Resident dancer at DaBY, she started classical ballet at the age of 4 and later discovered contemporary dance. Currently, she is a member of Lunar Landing. She dances in search of encountering the body as it is and a new body.
performance
DaBY Resident dancer, born in 1993. Born in Osaka. She has appeared as a soloist in “Aida” choreographed by Mario Marotitz, “Madame Butterfly” directed by Amon Miyamoto, and “Misalignment” and “so close” by Paul Julius.
[…].
performance
Resident dancer at DaBY. Born in Tokyo. Studied classical ballet from childhood. Graduated from Ochanomizu University, Dance Education Course. In addition to performing in works by Kenta Komori and Ryu Suzuki, she has also performed in works by Hirojo Tsai (Benson Tsai) and Rion Onnaya. […].
performance
DaBY Residence dancer. Born in Mie Prefecture, Japan.
She is an all-round player who is not bound by any genre.
She has thin, pinched eyes, a thick, long neck, and monkey arms.
Her specialty is dancing that makes the most of her characteristic body.
She is active as a back dancer for various artists and in dance performances.
performance
Resident dancer at DaBY. He has represented Japan in one of Asia’s largest street dance contests and has won many prizes. Participated in the world’s first professional dance league from Japan, Dai-ichi Seimei D.LEAGUE 21-22 SEASON as “LIFULL ALT-RHYTHM”.
performance
He was a member of Noism led by Jo Kanamori for 6 years from 2012 to 2018. Currently, while belonging to Co. Yamada Un, she has performed in works by Akira Shirai, G2, Kaoru Kagaya, Hirotaka Kumabayashi, Tetsu Taoshita, Mari Natsuki, Kenta Koyurugi, Fabien Prioville, Masahiro Yanagimoto, and others. As a choreographer, he co-choreographed “Polar Sky” with Kaoru Kagaya for the New National Theatre of Japan’s “Afternoon of the Dancing Princesses and Pastoral Gods 2021”. […].
undercast
Resident dancer at DaBY, she started classical ballet at the age of 5.
She began studying classical ballet at the age of 12 at Symphony Ballet Studio under Tomomi Soe and Yoshikazu Asada. She studied contemporary ballet under Toru Shimazaki, Ryu Suzuki, and Kota Kihara.
She has performed at Brilliant Stars Ballet Competition as a demonstrator for the contemporary division’s video challenge. […].
◆credit
Direction/Choreography：Ryu Suzuki (Dance Base Yokohama)
Art：Shinji Ohmaki
Music：evala
Cast：Yui Yonezawa (Principal, New National Ballet Company)
Yuya Yoshizaki / Nozomi Kinouchi, Hana Tsuchimoto, Pray Toda, Mano Hatanaka, Liisa Makino, Ikuma Murakami (above DaBY resident dancer)
Under Cast: Nanana Horikawa (DaBY Residence Dancer)
Costume: Shinya Watanabe
Producer: Eri Karatsu (Aichi Arts Theatre/Dance Base Yokohama)
Managing Director: Hiromitsu Katsumi (Dance Base Yokohama)
Production Manager: Yoshinori Sekoguchi (Aichi Arts Theatre)
Stage Manager: Daijiro Kawakami
Lighting Design: Masayoshi Takada Masayoshi Takada (RYU)
Lighting Construction and Operation: Tsuyoshi Ueda (RYU)
Sound: Jiro Kubo (ACOUSTIC FIELD INC.)
Stage Cooperation: Stage Work URAK
Research and Organization: Aoto Niwa (Dance Base Yokohama)
Production: Nozomi Tanaka, Yuka Kamimura (Dance Base Yokohama)
Cooperation: Acoustic Field Inc.
Organized, planned and co-produced by Aichi Arts Theatre, Dance Base Yokohama
Produced by Dance Base Yokohama
