©︎Naoshi HATORI

©︎Naoshi HATORI

Dates] Monday, June 28 and Tuesday, June 29, 18:30
[Venue] Yokohama City Hall Atrium

“SOLO” is a trinity of dance, guitar, and song, with Israel alone carrying all the elements of traditional flamenco, confronting the space. Still very popular today, “SOLO” has overwhelmed audiences in various venues, including museums and outdoor plazas, as well as in prominent theaters around the world. For the Japan tour, the performance will be held on the first floor of Yokohama City Hall, which moved to a new location last June, in a glass-walled, open-air atrium facing the outdoors. The audience will be able to enjoy the collaboration with the view of the city of Yokohama Bashamichi as the sun goes down and the streets of Yokohama Bashamichi change into the night.
As we prepare for Israel Galvin’s “The Rite of Spring” to come to Japan in the current situation where the spread of the new coronavirus infection is not expected to be easily contained, we have decided to present an additional performance of this work in order to share his world view with as many audience members as possible.
Please look forward to seeing Israel Galvin’s “SOLO”, which can only be seen at this time and place.

Direction, Choreography, Performer: Israel Galvin

◆Israel Galvan, “SOLO” Performance Outline

Monday, June 28, 2021 18:30
Tuesday, June 29, 2021 18:30
Venue: Yokohama City Hall Atrium

Organizer: Dance Base Yokohama
Sponsor: Embassy of Spain
Support: Yokohama Arts Festival Executive Committee

Special Website: https://danceconcert. jp/

◆Ticket Information

Pre-sale: May 31, 2021 (Mon) 10:00-
SS seats with “SOLO” pre-reservation (“SOLO” unreserved seats + “Spring Festival” SS seats): 13,000 yen (tax included)
General sale: June 1, 2021 (Tue) 10:00-
“SOLO” unreserved seats: 5,000 yen (tax included)
Additional sales: June 11, 2021 (Fri.) 20:00- [6/11 update]
“Spring Festival” Kanagawa SS seats + “SOLO” unreserved seats: 13,000 yen (tax included)
“SOLO” unreserved seats and standing tickets: 5,000 yen (tax included)

◆Ticket sales counter

SS Seats with “SOLO” Advance Reservations (“SOLO” Non-reserved seats + “Rite of Spring” SS seats)
DaBY Peatix (https://galvan2021-set.peatix.com/)
“SOLO” Non-reserved and standing tickets
DaBY Peatix (https://galvan2021-single.peatix.com/ )
“The Rite of Spring” Kanagawa concert SS seats + “SOLO” unreserved seats
DaBY Peatix (https://galvan2021-set0611.peatix.com/)

◆Tour related information

Israel Galvin “The Rite of Spring” Kanagawa performance
June 18(Fri), 2021 18:30
June 19(Sat), 2021 14:00
June 20(Sun), 2021 14:00
Venue: KAAT Kanagawa Arts Theatre <Hall

Organized by: Dance Base Yokohama
Co-organized by: KAAT Kanagawa Arts Theatre
Supported by: Embassy of Spain
Supported by: Yokohama Arts Festival Executive Committee, Yokohama City Board of Education

Israel Galvin “The Rite of Spring” in Aichi
June 23(Wed), 2021 18:30
June 24(Thu), 2021 14:00
venue: Aichi Arts Center Concert Hall

Organizer/Producer/Invite: Aichi Arts Theatre
Sponsor: Embassy of Spain

OpenLab “Israel Galvan Special Workshop in Japan”
June 26(Sat) and 27(Sun), 2021
Venue: Dance Base Yokohama

◆Artist Profile

Israel Galvan
Dancer and choreographer

©Luis Castilla

Born in Seville, Spain. Known for her intricate and speedy footwork, her superb sense of rhythm, and her originality in opening up new worlds of flamenco, she studied flamenco with her parents, who were both famous dancers, and began performing at an early age. In 1994, he joined Mario Maya’s Andaluza Dance Company, where he won accolades such as “genius,” “revolutionary,” and “avant-garde. In 1998, he founded his own company, which has presented a series of innovative works that defy conventional thinking. He has received numerous awards in Spain, including the 2012 Bessie Prize in New York and a Special Mention at the 16th National Dance Awards in the UK in 2004. He is an associate artist of Theatre de la Ville de Paris. In recent years, he performed “SOLO” and “FLA.CO.MEN” at the Aichi Triennale 2016, and in 2006, he visited Japan for “The Golden Age,” which attracted much attention.