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Dance Base Yokohama

Dance Base Yokohama

PITO Multi-island performance “Island Island Island

The pito multi-island performance “Island Island Island” is being developed as part of the 2025 DaBY Residence Program. As a presentation of the results of the residency creation for the new work to be performed in July 2026, a performance will be held to announce its current location.

 

On the same day, March 1, from 1:00 p.m., “Transportation of the Other – Sensory Implantation” will be shown, Transportation of the Other – Sensory Transplantation” will also be held on the same day, March 1, from 1:00 p.m. will also be held on the same day. If you have time, please consider attending this performance as well.

 

What is “pito”?

 

An exploration of non-hierarchical and interactive creation by the multi-island artist community ” pito “, where different specialized knowledge resonates, and a presentation of its current location.

As a presentation of the results of the residency creation for a new performance in July 2026, a multi-island performance will be given by five artists/researchers who will gather at the artist community PITO.

The five participating artists will bring their ideas and practices from different professional backgrounds, including drawing, media art, dance performance, architecture, and VR research. Taking these as their starting point, they will move back and forth between dialogue and practice, mutually influencing each other and renewing the process itself.

If each is an entity (i.e., an island) with different specialized knowledge, then the waters of dialogue and practice are spread out among the islands.
We see the five specialties not as isolated “islands” but as an “Archipelago” sharing a single ocean, and we are exploring ways of creation that weave back and forth between different shores, sometimes overlapping and reweaving relationships.

This process of interactive creation, which does not assume fixed leadership and treats expertise as a common good, also changes the form of expression itself.
See where the practice is today at Dance Base Yokohama overlooking the ocean.

 

Performance Information

 

Date & Time: Sunday, March 1, 17:00-
*Doors will open 30 minutes before the performance.
Running time: approx. 60 min (tentative)
*After the performance, there will be an after-discussion.

 

Application

 

Fee: Free (advance reservation required)
Registration: Please register via Peatix.
Registration is required for DaBY members (free of charge). Please register in advance.

 

Venue

 

Dance Base Yokohama 1F
Access here
KITANAKA BRICK&WHITE BRICK North 3F, 5-57-2 Kitanaka-dori, Naka-ku, Yokohama, Kanagawa
Bashamichi Station, Minatomirai Line Exit 2a “Yokohama Kitanaka Knot” direct connection

Venue Facilities

  • All-gender to ilets: There are all-gender toilets on the third floor that anyone can use.
  • Multipurpose Restroom: There is a wheelchair accessible multipurpose restroom next to the supermarket across from the venue.

*We also provide support for visitors in wheelchairs and those who need information security.
If you need assistance, please contact us at the following e-mail address:
contact@dancebase.yokohama

 

Participant Profiles

 

PITO
A multi-island artist community of eight artists and researchers. The members, each with different specialties and practices, engage in interactive creation across multiple disciplines and layers, such as physical expression, drawing, research, and technology. pito’s activities do not aim for a finished work or a fixed form, but rather emphasize the “process” of encounter between people, people and environment, body and material. The “process” of encounter between people and people, people and environment, the body and materials itself is the focus of PITO’s activities. Through dialogues and improvisational practices that cross the boundaries between disciplines, pito creates a space where different senses and knowledge intersect, fuse, resonate, and transform. Through multi-layered practice, they are exploring new possibilities for expression, research, and community.

Yamaguchi Mina

Miina Yamaguchi|Hito who draws lines
An artist who uses the act of drawing lines as a starting point to explore relationships with others and the environment through bodily movements and changes in the senses. She views drawing not as a means to create images, but as a process in which thoughts and perceptions emerge through the body. Through workshops, performances, and participatory practices, he creates spaces where non-verbal dialogue and traces of shared time are generated before words. 6okken Expanded Walking creates works that expand city-scale drawings into a metaverse space. Awarded the Excellent Work Prize at the Tama Art University Graduation Works Exhibition, the Ichiro Fukuzawa Prize, and others.

Onuki Tomozui ©︎Yukasa-Narisada

Onuki Tomozui |Performance, Architectural Design
Using his own body as a starting point, he rethinks the relationship between the body and the environment, taking as his cue a sense of inability to establish contact with the world and the uncertainty of his own sense of subjectivity. He also considers the interaction between this kind of exploration and the installation of space. Major presentations include “DescripFiction” (CURRENT KUNST UND URBANAR RAUM, Germany) and “Mechanics” (YAU STUDIO). Past participation includes: “Power Chicken” by Sae Borg and Hashimoto Romance, “Blossoms – fulfilment” by Nile Koetting as assistant director and performer, “Play Modulor” by Saori Harasaori as assistant, etc.

Takumi Miyakoji

Takumi Miyakoji|Performance, Games
Interested in the body created by rules, he creates works from the relationship between play and training.

Yutaro Hirao

Yutaro Hirao|VR Researcher
Doctor of Engineering. Aiming to build a corporeality platform that connects people, things, and events. Virtual reality, corporeality, cross-modal interface, haptic.

Taku Yoshida ©︎Ryo Mitamura

Taku Yoshida|Choreography
From the perspective of choreography, Taku Yoshida examines and practices what appears at the intersection of relationships and how objects and things move. In recent years, focusing on “social choreography,” he was involved in the Japan premiere of Michael Klien’s “Parliament,” and presented a participatory walking performance “Henro” (co-created with Marika Futagawa) that weaves relationships. https://www.instagram.com/ ytaku/

 

Credits

 

Organized by pito
Co-organized by Dance Base Yokohama

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