Kohei Fujimura “Gorilla Running at the End of the Turn” Dance Workshop
Date: 2025/2/2(Sun) 12:00-13:30
Venue: Dance Base Yokohama
Kouhei Fujimura (FY2024 Artist in Residence), who will be creating his new work “Nooooclip” from the end of January, will hold a special workshop. After the workshop, there will be time for discussion. We hope this will be a time to freely share not only the content of the workshop, but also topics related to the current performing arts scene and the issues and interests that each participant has.
For more information about the “Noooclip” showings, please click here.
◆Outline
In this workshop, we will explore the structure of intuitive movement driven by all kinds of information from our own bodies, such as form, feeling, landscape, and texture.
Specifically, the workshop will begin with drawing – the process of drawing lines on a flat surface – in order to accept the meaninglessness of the de-representational output from the body. Then, we will move to the phase where movement is generated from the medium of the body through the process of “gradually drawing lines with a pen”.
◆Target
Anyone interested in body-mediated performance (not limited to dancers)
◆Capacity
15 persons
◆Date and time
Sunday, February 2, 2025, 12:00-13:30
*There will be time for discussion after the workshop (optional)
◆Participation fee
2,500 yen (tax included)
*Please note that once tickets have been purchased, they cannot be cancelled, refunded or changed by the customer.
◆Application Method
Please register through DaBY’s Peatix page.
https://koheifujimura-danceworkshop.peatix.com
*DaBY members registration is required to purchase tickets. Please register here in advance.
◆Venue
Dance Base Yokohama (https://dancebase.yokohama/access)
3F KITANAKA BRICK&WHITE BRICK North, 5-57-2 Kitanaka-dori, Naka-ku, Yokohama, Kanagawa, Japan
Directly connected to “Yokohama Kitanaka Knot”, Exit 2a, Bashamichi Station, Minatomirai Line
◆Artist Profile
Residence Artists in 2024
Based in Tokyo and Yokohama, she has been active as a dancer. After 2020, he began research and experimental performances based on the question, “How can the body be reconstructed as a ‘dancing body’? In 2022, he will create “Subject a a work that attempts to subvert the active will and subjectivity in the performing arts. Other representative works include “PreDanceMusic,” a work dealing with the pre-meaningful experience of the body listening to music, and “Two Flutes and a Chapter for Dance,” a work that examines the bodily knowledge of instrumentalists and dancers in terms of breathing. The other is “A chapter for two flutes and a dance. As a freelance dancer, he has performed in works by many directors and choreographers in Japan and abroad.
She completed her graduate studies at the Graduate School of Comprehensive Human Sciences, University of Tsukuba. His master’s thesis was “A Study of Improvisational Properties Appearing in Dancers’ Bodies.
◆Inquiries
Please use the following email address or this form to contact us.
contact [at]dancebase.yokohama
*Please change [at]to @ when sending.